|Jerry Saltz and Charlotte Burns at the Hirshhorn's Ring Auditorium, Nov. 29, 2018|
The collective sense of truth - or perhaps the increasing sensitivity to it...and its absence - entangles those that act rashly. Not all falsehoods, spoken or practiced, are rooted in deceit - sometimes lying is a reaction to not being in a calm state of mind. Sometimes it is a reflection of insecurity or fear. Certainly, one's character has a big part to play also.
When political pundits catch a politician in a contradiction of words or reality, the 'gotcha' is almost gleeful. And the lying is expected.
When we see art that seems like fraud, we can have strong reactions as well, and the lambasting of the artist can be euphoric. Better disgust than disdain (at least for the artist, passion is better than ambivalence), but whatever it may be - when art is not created from a genuine place it feels void of meaning - and therefore a lie, and we can sometimes relish the calling out of its creator.
There are some people who are easier to be truthful with, for whom there need not be enhancement or fabrication in order to genuinely connect. This has to do with your own frequency as much as theirs, but ultimately you can only adjust your own - and that is done through action and choice. In art and in politics, one opens themselves to others beyond their social choosing, and the value of meaningfulness currency is significantly higher than during your conversations at happy hour.
We should not feel glee when we catch an other telling a falsehood. Truth should be expected. Gotchas should be disappointing. We should respect artists all the more when they meet such a high expectation, given their strange choices and challenges. Perhaps less so for politics, where truth is less evasive.
We should also not be afraid to be quiet when we don't have anything to say.
I attended an interview with art critic and recent Pulitzer Prize-winner Jerry Saltz by podcast host Charlotte Burns last night at the Hirshhorn Museum. His reinforcing of honesty and true-to-selfhood resonated with me...for application in art, politics and life.